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Diwan-i-Khas (Red Fort)

The Diwan-i-Khas, or Hall of personal Audiences, within the Red Fort of metropolis was the placewherever the Mughal emperor received courtiers and state guests. it had been conjointly referred to as the Shah of Iran Mahal.
A gate on the side of the preceding Diwan-i-Am audience hall light-emitting diode to the innermost court of the palace known as Jalau Khana and also the Diwan-i-Khas. Originally there have been 2enclosures on the west of the hall, one for the nobles and also the alternative for those of a lower status.These arcaded courts were destroyed once the Indian Rebellion of 1857.
It measures ninety x sixty seven feet. It consists of an oblong central chamber, encircled by a series of arches rising from marble piers. The lower components of the piers ar adorned with floralstyles, whereas the higher parts ar painted and gilded. The four corners of the roof ar head bycolumned chhatri.

Diwan-i-Khas

The ceiling, that was originally adorned with silver and gold, was stripped blank by consecutive moneycrises of the empire by the Jats or Marattas. the present ceiling was put in in 1911. The later Peacock Throne from once Nadir Shah's invasion once stood during this hall, towards the side.Through the centre of the hall flowed the Stream of Paradise . The building accustomedhave red awnings, or shamianas. Over the corner-arches of the northern and southern walls below the cornice is inscribed the verse of ruler Khusrow: "If there be a paradise on earth, it is this, it is this, it is this. The French individual François Bernier delineated seeing the Peacock Throne here. Jean-Baptiste Tavernier delineated seeing the throne within the Diwan-i-Am, to wherever it had been in all probability rapt, and delineated 5 smaller thrones with four on every corner and one within the middle of the hall.
The interior was fully pillaged following the Indian Rebellion of 1857. The throne, the carpets, and the other things went missing. The hall these days is, therefore, solely a shell of what it accustomed be. Recent restoration work has been redone on the panels of inlay and has conjointly reproduced the gilded pattern on one amongst the pillars fronting the hall.
In the bottom below the hall and also the connected buildings was the area referred to as zer-jharokha, or "beneath the lattices".
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